Netflix Customer Reviews

District B13: Ultimatum

A very poor sequel to the original District B13. There are only a few good action sequences (C. Raffaelli has a nice fight scene while trying to protect a priceless work of art) and the Parkour scenes lack the quality and originality that made the first film so impressive. The two leads work well together but the remainder of the cast are uninspiring. A mediocre attempt at best, but if you lower your expectations a bit you just might enjoy it (2.5 stars).

Tunnel Rats

One of the worst films I've seen in quite a long time. While technically proficient, the story is almost nonexistent. There is nothing deeper than than the Sgt. saying, "Platoon, we are going to explore this enemy tunnel system.". All the dialogue is trite and uninteresting, while the acting is average at best. I've read books on the tunnels in Vietnam and while it is quite an interesting concept to put to film, it still needs a real story with motivated characters to actually make it work. Uwe Boll clearly proves that he lacks the understanding of what a real story is. For an alternate view, the second episode of the Vietnam War TV show, Tour of Duty, takes place in tunnels. Although dated, produced in the late 1980s, at least it has a character driven story to it. Also, check out my top 10 list of High Caliber WAR FILMS Not to be Missed!

Miracle at St. Anna

I like war films, just not this one. I enjoy some of Spike�s films but St. Anna is just an overlong, heavy handed mess. If you are a die hard Spike fan & never question his choices & feverishly love all his films, no matter the quality, then you'll probably stop reading this now & mark this review as unhelpful (be my guest, doesn't hurt me).*SPOILERS The actors (Luke, Miller, Cervi, Sciabordi) are actually quite good in this film, but the script is so weak in its characterizations it leaves them no room to showcase their abilities. The dialogue is trite and preachy beyond belief, all you get are thematic speeches which don't propel the storyline nor deepen the characters. After a while you just don't care about anyone & just tune out, especially since the film clocks in at over 2hrs46m. Also, the scenes with Leguizamo & Turturro are completely useless. If you are going to have quality actors in your film please do not regulate them to throwaway parts. Turturro's detective and Gordon-Levitt's reporter could have easily been combined into one character. Also, Leguizamo & the newspaper falling out the window was utterly contrived. The old man makeup for Negron was horrendous. Why not just get an older actor like in SPR? Also, the squad acts like they aren't in much danger as they lounge around the village. Seriously, why no posting of lookouts? And why wouldn't you just wait, crossing the river at night to safety? What soldier in his right mind would venture farther into enemy territory with absolutely no support? Does this film really show us an accurate African-American experience of WWII? Not likely, especially when it consists of just 4 men in a village behind enemy lines. Does it show us how blacks were deprived of civil rights at home & found people in Italy more accommodating? Yes, but when this theme is slapped onto a boring, contrived story it really isn�t that interesting. This is one Spike Lee film you can miss & probably never ever care that you did.

King Arthur

A. Fuqua�s director�s cut of King Arthur is full of great action sequences and beautiful Irish scenery posing as the English countryside. However, the story was left behind by writer Franzoni (Gladiator) turning this film into a strictly B grade actioner. The romance subplot isn�t very exciting or involving, although Keira did her best and kept me somewhat interested. The romance subplot should have had more conflict; it could have been beefed up a bit, why not have Arthur and Lancelot fight over Guenivere? For all intents and purposes this is a new version of Arthur, why not spice it up? There are many fabulous actors in this film, to many to list in fact, but unfortunately they don�t have much to do except run around England wielding swords and battling Saxons and Woads. Skarsg�rd is a great actor but unfortunately the antagonist he plays, Cerdic, is completely one dimensional consisting of yelling things like, �Kill everyone�� and �Hunt them down.�. I really couldn�t connect or feel for anyone, even the good guy �Samartian Knights�. The costumes, sets, and sound were clearly top notch but with a weak, uninvolving, straightforward storyline this film just can�t compare to solid films like �Braveheart�, �Rob Roy� etc. Overall, it�s a solid action picture full of wicked fights and picturesque vistas but if your looking for anything remotely deeper � you best find another King (2.95 stars).

Outsourced

Outsourced, available for instant viewing, is a light an airy romcom written by George Wing (50 First Dates). Josh Hamilton plays the lead, Todd Anderson, with little acting range while Ayesha Dharker is quite dynamic as his Indian co-worker. The story isn't anything new but with it set in India it has a fresh vibe to it that keeps you interested. The first third of the film starts off well and has some solid laughs. Outsourced, although good, could have been a gem of a film if the script was tighter in places and some relationships deepened. Overall though, this is a fun little film ideal for a Sunday afternoon (3.40 stars).

The Incredible Hulk

The Hulk gives you what you expect. It feels like a comic book come to life. Director Louis Leterrier does well executing his task --the action is quite fierce and kinetic. The special effects are solid too along with the acting by Norton, Roth and Hurt. The beautiful Liv Tyler isn't very impressive, although she radiates truth, you don't get much from her character other than that of being the sexy heroine. When compared to Iron Man it was a bit of a let down, the story isn't as involving or complex but if you want to watch a solid action flick, rather than The Punisher or Max Payne, then The Hulk just might be for you. Bonus points for the amazing on location shots, especially of Brazil (plus BBJ expert Rickson Gracie), and some energetic scoring (listen to track #6, Favela Escape, by Craig Armstrong) on the soundtrack.

Step Brothers

I find it hard to believe that Step Brothers came from a one hundred and sixty page script. I really enjoy Will Ferrell and John C. Reily and you can tell they have a real friendship and repour. That being said this film is more like a series of SNL sketches than a cohesive comedy. All the actors did a great job and are clearly talented at improv but it bugs me that director McKay chose to have the actors play around so much and leave out the sometimes important character and plot development. The premise was actually pretty interesting, grown men playing grown men who still act like kids and don't want to well ...grow up. The language didn't bother me either, but the film eventually turned into rambling, screaming and noise. Overall, the storyline is weak at best with some funny parts a little too few and far between. Skip it unless your die hard Ferrell fans.

The Medallion

An average, fairly typical Jackie Chan movie. The fights were well choreographed and shot by action director Sammo Hung and director Gordon Chan. However, I disliked the overuse of wire work which Jackie normally didn't do earlier in his career. The other cast members (the stunning Forlani and funny Lee Evans) do well keeping the tone of the movie fairly comedic and light (although The Medallion does have the ability to raise people from the dead so it might not be suitable for younger audiences). All in all its a well put together film, a little lax in the story department (as expected in Chan films), but with only a few decent fights and an overuse of wire work this film garners only 2.5 stars.

The Ex

If your a fan of Braff's character in Scrubs you'll like him in The Ex as he plays the same exact character. The setup and the first thirty minutes are fairly funny but as the film continues on it starts to lose itself. Bateman is solid as a jerk of an ex while Peet, Logue and Grodin do okay during there screen time. Mia Farrow, Amy Poehler, Perry Reeves and Amy Adams are absolutely wasted during this film, none really serving a purpose. Overall, The Ex starts off well but the third act isn't very funny or polished and the plot turns sloppy. I'd take a pass on The Ex unless your an extreme Braff fan and enjoy his humor.

Stealth

This is an all fluff popcorn actioner by Rob Cohen (XXX, Fast and the Furious). The story revolves around a lame ripoff attempt of Top Gun and 2001. The premise of an autonomous fighter plane could have been interesting but was left in the dust in favor or huge explosions and slick fighter plane action scenes. The visuals are fun, for the most part, but the script is full of weak characterizations --Josh Lucas was an outright bore while Jamie Foxx's talent was completely wasted in the cliche fighter jock role. The only saving grace from Stealth's deadly boredom was Jessica Beil in tight spandex and a bikini. This is a B grade action flick not worthy of a rental unless your up for utterly mindless fun (and once in a while you need it).

The Brave One

Terrence Howard and Jodie Foster do extremely well in this revenge flick by Jordan. They're interesting to watch and propel this script into something better than it would have been with lesser actors. The film is slow moving at times and its plot line is quite coincidental at others allowing me to give it a passing grade of only 3 stars. Overall, Jordan sets a great tone and the actors deliver but I found the script too cliché to really recommend it. Rent it only if your Foster, Howard or Jordan fan.

Body of Lies

Ridley Scott hits hard once again with his newest film, Body of Lies. Crowe turns in an understated performance with his short screen time as spook handler Ed Hoffman while DiCaprio does quite well as CIA operative Roger Ferris. I'm actually beginning to like DiCaprio more and more with each successive film he does. The best performance however was by an Andy Garcia look a like, Mark Strong, as Jordan intelligence minister Hani (could a best supporting actor nomination be in the works?) Although the story is full of gripping tension, I found the love subplot with the beautiful Golshifteh Farahani a bit too forced and cliche. It seemed like it was only added by writer Monahan to make an ending for the film (an ending that we've seen a million times). Overall though, Body of Lies is a all around solid action drama, a cross between Berg's "The Kingdom" and "Syriana". The production design by Arthur Max is flawless with spot on sound editing by Karen Baker and crew. If you're looking for a fairly realistic political actioner with a bit more depth than the Bourne Trilogy, don't look any farther. Also, of note is a new song by Guns N Roses that runs over the end credits called "If The World" (it's pretty good).

Burn After Reading

If you're a fan of the Cohen Brothers I would definitely check out Burn After Reading. This tongue and cheek comedy won't leave you with much after all is said and done but sometimes it's not the destination, it's the funny arse journey. Overall though, this semi-dark, twisty and absurd comedy is full of bumbling characters, unexpected surprises and some burst out loud laughter. It's a bit on the vulgar side and quite violent at times, as only the Cohen brothers can do (a warning for the older, more refined crowd -think Grandpa Simpson), but for me the great cast delivers a lot of spot on laughter. This is a solid 3.95 stars, not a 4.0 because I don't think its anything I haven't seen before, nor does it have that "re-watchable" factor that some comedies and meaningful films have. You know the ones where every time you watch it you learn or see something new in them. Burn After Reading is like a sparkler, you only have so long to wave it around before it burns out, but oh how much freakin' fun you had whilst waving it!

Futurama: The Beast with a Billion Backs

Not as good as the television episodes but still quite funny. It starts off well but drags a bit towards the end. David Cross plays a weird as hell giant blob type character and the ending isn't the greatest, somewhat of a let down. Overall I rate it about 3.5 stars, a bit better than Bender's Big Score because it has a few more laughs. If your a fan I'd check it out, otherwise take a pass. The bonus features are quite lackluster, skip them (I didn't listen to the commentary though, just the other material).

Redbelt

When I heard Mamet was scripting a new Ju-jitsu film I was all over it like white on rice. An Oscar nominated author writing a film involving the exciting world of MMA, what could be better? Well, apparently a lot of things. First, let's start with the good, shall we?The Ju-Jitsu teacher Mike Terry, played by C. Ejiofor, is quite likeable, doing well along with the rest of the talented cast. Hey, I'm out of good things to say, now what? First, the action scenes are pretty terrible. They are shot in medium close-ups leaving us no room to see the actor's bodies in action. All we see are strained faces struggling; they could have been stirring Jello for all I know. Second, ALL the characters save the lead are woefully underdeveloped & the plot is so hackneyed its an utter mess. Mamet has either gotten really lazy at the typewriter or else producing The Unit & training in BJJ has taken up all of his time. I can take a fair amount of suspension of disbelief, we're at the movies after all, but when you have characters changing sides at the drop of a hat with no motive as to why, I get a little pissy. And seriously, do you have to cast your boring wife, Rebecca Pigeon, in every project you do?Talk about nepotism. Finally, the film is too coincidental, predictable and unbelievable. Hey, let's start fighting in a vomitorium of a huge arena and have it not get broken up by the cops. That's believable. Perhaps Mamet is trying to say that these big arena promoters are putting on sporting events & have left the origins & philosophy of martial arts behind in the dust, exchanging honor for money? Sure. And maybe some of these fights are fixed just to create buzz and get people interested.Some probably are. But man, this is one lame film showing it. Mamet, your story is just plain dull. I haven't be so disappointed after a film like this in a long time.This is a cliched piece of junk. Maybe Mamet should go back to writing for the stage.

Baby Mama

Working off each other like seasoned pros, Tina Fey and Amy Poehler make a great, sexy pair in Baby Mama. The supporting actors shine too: a hilarious Steve Martin plays a new aged, hippie CEO, while Romany Malco gives us comedic relief as a doorman (mysteriously showing up in every nook and cranny of the building). This is a light comedy; it keeps a steady, upbeat vibe throughout. I would have preferred a bit more over the top goofiness and slapstick (in the vein of 40-Year-Old-Virgin or Wedding Crashers) but I have to assume that either the studio strong-armed the director to pull back on the raunchiness or that although Tina Fey is funny, she just doesn't really have that comedic sting that makes 30 Rock so spirited and edgy. The story moves fairly well, however it does get a bit tedious towards the end --you just want it to wrap itself up but your left waiting and waiting till the predictable ending shows up. This is a decent chick flick, like a strawberry topped Belgium waffle from IHOP thats light and airy but ultimately one you'll forget about the very next day.

The History Channel Presents: The Revolution

During the 4th of July on The History Channel I caught the first few episodes of The Revolution, which really peaked my interest, so I decided to purchase the dvd set. I watched the thirteen episodes over the next few days and enjoyed the great overview they provided me of the war. Indeed, the last two episodes summarize all of the previous episodes and having just watched them all already I found the information quite redundant. Production values were very high; the sets are from a historic town in New England while the costumes look pristine bathed in elegant lighting. Obviously the budget ran thin during production as some footage is repeated as many as two and three times. This documentary might not cover every area of the war in extreme detail, a fair amount of battles in Canada and the South are absent, but it still gives you a nice broad picture of the war. Overall, I would rank this a solid documentary although not as in depth as others, such as the 1995 Charles Kuralt TV mini-series. This documentary serves as a great, modern produced, introduction for novices (such as high school students etc) who want to learn the facts of the Revolutionary War (3.90 stars).

21

I read the book "Bringing Down the House" a few years ago and have been anxiously awaiting this film ever since. What could be more exciting then leading a double life counting cards, winning thousands as a high roller, and returning to school during the week? Jim Sturgess does fairly well as a naive MIT student, while Fishburne provides a bit of fire playing loss prevention officer Cole Williams. Overall, the actors did their best but end up giving us one-dimensional performances (including Kevin Spacey & Kate Bosworth) due to the script's lack of character depth. The script is all structure, paint by the numbers predictability--it moves fast but the characters are thin skeletons, dull stereotypes. 21 also deviates from its source, for instance there was another blackjack team from MIT that played in Vegas, as well as many weekend trysts with Vegas showgirls. What could have been an intriguing look at the dark underside of Vegas was turned into little more than a Disney inspired send off. If you were looking for a gritty story about gambling and girls in Vegas (like Casino, Leaving Las Vegas, The Cooler) it sure ain't here, 21 is a complete bust.

Into the Wild

Emile Hirsch gives a solid performance playing Chris McCandless, who after graduating college heads “Into the Wild” to “find himself”. Along the way he meets many “characters” including Hal Holbrook, who does an exceedingly well job as a widowed, lonely old man while William Hurt and Jena Malone play Mr. and Mrs. McCandless to great effect, though the script doesn’t fully flesh out their characters. McCandless also meets the superb Catherine Keener and Brian H. Dierker who play such interesting vagabond hippies that I almost wanted the movie to be about them instead of McCandless. “Into the Wild” is purely a character driven journey film, not your typical Hollywood plot job. It is a wandering film that jumps between past and present multiple times, sometimes making it hard to follow. The beautiful vista view cinematography coupled with Eddie Vedder’s gravely voice on the film’s soundtrack are quite inspiring, although sometimes Penn’s use of Vedder is too prominent and distracting for my taste. This film is a fairly interesting journey with a great and noble theme, although I just wasn’t too thrilled about the road Penn chose to get there. What could have been a great film in my mind ended up as just average indie fair because McCandeless's journey just isn't that wild (or interesting).

Eastern Promises

Eastern Promises is more accessible then the majority of Cronenberg's films. Naomi Watts plays Anna, a British midwife in search of relatives for a newborn baby she's delivered. Viggo Mortensen plays a tattooed Nikolai, a driver for the Russian mob, with such subtle power he's downright scary. A dreary London is filmed in subdued tones and while the mysterious search unfolds Cronenberg creates an environment of tremendous suspense. The Russian mafia is a unique subject, and although quite violent at times, the choreographed brute force is always motivated and shocking as only Cronenberg can do. There is a dark, uneasy tenseness underneath Eastern Promises's crisp exterior. It's a surprising character driven ride if you're tough enough to endure. (3.9 stars)

The Crossing

A run of the mill television movie... the saving grace is that the actors do quite well, even Daniels as George Washington, although 99.9% of their dialogue is exposition. You can read about this entire battle in a book in less than fifteen minutes but the film does do a pretty nice job of portraying the events. Some minor historical details were left out, most noticeably: major hail and snow helped prevent the Continental Army from being spotted as they marched on Trenton, the Hessians counterattacked twice and then retreated into an apple orchard (not a tiny plow field the size of my garage), and American losses were not zero as stated in the film but estimated at 8 killed and 4 wounded. For my taste, the costumes were too clean for soldiers who had been fighting in desperate conditions and on the run for months (more like they had just arrived from the dry cleaners). Also, the music was clearly second-rate and completely noticeable in a bad way. If you're a Revolutionary War fan or high school student studying this era you might find this film interesting, otherwise I'd skip The Crossing and watch much more informative documentaries on the subject such as PBS's Liberty!: The American Revolution or The History Channel Presents: The Revolution.

The King of Kong

I didn't think people still played old school video games anymore. Boy was I wrong. This film is similar to other films (Word Wars) where they follow a bunch of hardcore followers of some type of hobby, video game fanatics in this instance, who are on the verge of OCD as they battle it out till one is champ. Most of the addicts seem fairly normal, meaning they have jobs, but they definitely all need haircuts and a shave. Just because they started playing video games in the 80's doesn't mean they need to keep the same hairdo and wardrobe from that era. Overall, its an interesting character study of some smart, kindhearted oddballs... a little slow at times but fairly entertaining if you actually remember playing the original arcade games that spawned the modern day gaming industry (3.5 stars).

3:10 to Yuma

Okay, so 3:10 to Yuma isn't in the same league as The Unforgiven or The Outlaw Josey Wales but it is a pretty fun action oriented western. Although it has a fairly basic storyline (take the bad guy to the train) it has some great actors (even the bit parts), sets (they built a town from scratch), costumes and some roaring old shootouts. This film is more like Tombstone, Young Guns or Open Range --its sometimes not very realistic but it gives you what you came for -a good, old fashion, western ride full of bad guys, good guys and gunfights. If your looking for more than that, look elsewhere. (3.85 stars)

Uno Bianca

This is a pretty cool Italian detective flick similar in style to the television show "Miami Vice". With good action, nice DP work and some solid acting, this is an interestingly smooth cop drama. Although nothing really new is added to the time honored cop drama (as it was made in 2001), it is based on true events and the two disc set moves at a quick pace. All in all this is a solid, yet predictable piece, that is worth a rental sometime if your in the mood for tense Italian detective work. (3.5 stars)

Shoot 'Em Up

The title says all you need to know: Shoot'em Up. Sure the guns look nice (and I really like guns!) but it's a supremely weak story, a villain that tries way too hard to be interesting scary, and many lame attempts at well, lame humor. To put it bluntly its like a bad American version of a John Woo HK flick. And if that's your thing, then by all means... The action and stunts are worth 4 stars but the script is a two starer, so in all fairness I'll average it out to barely 3 stars. Good day.

Sunshine

Have you ever watched a film and kept hoping that in the next five minutes it would become interesting? And then after those five minutes are up you say to yourself, "Okay, just five MORE minutes. This has got to get better?" --Well I did. Sunshine's good points are its special FX and production design, which are astoundingly beautiful, unfortunately the standard run of the mill spaceship in trouble story (that we've seen MANY times before) darkens my day (pun intended). All the characters seem too simple and sedate for my taste and even the main character Capa, played by C. Murphy, seems like he stepped out of a grunge band high on the chronic and into the role of the ship's physicist. To top it off the end of the film turns into such predicable fair that I almost wanted to stop watching. Its truly regrettable that you really don't get to know any of the characters in this film like you do in other ensemble casts (like the Alien, Star Trek or Star Wars franchises). Overall, there isn't anything in this film I haven't seen before (or anything new or creative for that matter besides the effects). Stick with Boyle's Trainspotting or 28 Days Later because Sunshine only rates 2.75 dull stars (get it, dull stars? d'oh).

Death Race 2000

Death Race 2000 is one of those 70's films were its so bad its funny. It's pure over the top camp, with ludicrous violence and pointless T & A. From the first frame its so absurd its hard to take seriously. I mean a race were you hit people with your car to gain points?!? wtf?!? Nevertheless, there is something enduring about early Carradine and Stallone in super gay costumes, horrible futuristic sets, sped up car cashes and crap 70's music that make this film fun to watch. So in the end this may be cheesy and lame, but it sure is fun and utterly demented cheesy and lame. Watch for the remake in 2008 by crap writer and director Paul W.S. Anderson. Better yet, don't.

Juno

Director Jason Reitman (Thank You for Smoking) crafts a nice, but unrealistic teen film that moves at a quick pace. I was impressed with Ellen Page, who does quite well as Juno, an overly sarcastic teenager. Unfortunately, that's where all the goodness ends and the bad begins. First, Jennifer Garner is woefully miscast as a wanting mother and gives her character as much depth as my bathtub. Next, the funny as always Michael Cera is grossly underused and is relegated to a love story subplot. Finally, Juno's parents (J.K. Simmons, Allison Janney) are both extremely well played but unfortunately add little guidance to Juno's predicament. Although I like the film's snappy dialogue, honestly, I feel that all the characters were written so poorly (and thin) that none of them could ever really connect to each other on any level during the film. (Except for Bateman & Page). Basically, they're all caricatures and in the end your left seeing Juno grow up, leading you to one resounding thought: "So what, big deal". Overall, I think this comedy was caught trying to be more serious than it's "witty" script could handle. Juno is a nice little film but hardly worth all the praise heaped upon it. Little Miss Sunshine definitely contains better comedic moments, deeper characters and more heart than Juno can ever muster. (3.25 stars)

Resident Evil: Extinction

Having never played the game I can't say if the film follows it at all. What I can say is that if you want to leave your mind at the door (seriously, Milla's boyfriend Anderson couldn't write an original story if his life depended on it) and watch Milla kick some serious butt, then this film is for you. The fight scenes are pretty "bloody" nice, the director Mulcahy (Highlander) making full use of Milla's excellent knife handling skills (not that she really has any acting skills). Supporting characters: Heroes Ali Larter and singer Ashanti are adequate, but nothing to write home about. All in all this is a quick moving, action packed, REALLY simple story but the ending still satisfies, unlike RE Apocalypse. So, if your in the mood for some nice zombie take down action, decent CGI, and a lot of soft filters used to make Milla's face even MORE gorgeous than usual... then this is your baby! (2.95 stars)

Merlin: Special Edition

I really wanted to like this fantasy film featuring Neil as an extremely likable Merlin, but unfortunately it feels extremely cheap. I really like all the actors involved (Hauer, Neil, Short, Richardson) and they did the best they could considering the scripts predictability, but the script and production design fall short, leaving us with a low budget school play. The dialog is so wooden you could make a totem pole out of it. And the fighting scenes are fake beyond belief, except for the final fight between Arthur and his brother. All in all I would give this film a barely passing grade thanks in part to the quality acting --then I'd go rent Excalibur instead (2.75 stars).

The Kingdom

In "The Kingdom", Berg delivers to us some awesome, heart pounding, realistic action sequences (like Michael Mann ala Heat). What he doesn't deliver to us is a very deep story or fully developed characters. Basically, our four loosely developed FBI agents (stoic Foxx, pretty Garner, comic Bateman, veteran Cooper) go on a stupendously boring hunt for the head of a terrorist group. What irks me is that by the time they even make it into Saudi Arabia we haven't learned anything interesting about the lead characters. Also, once in "The Kingdom" we learn nothing about the terrorists or their motivations. All in all this is just a run of the mill CSI episode, with a talented cast and some wonderful action scenes. Next time, get a real script instead of characters pulling lame clues out of a bomb crater (Hey, look! a detonator! I wonder were that came from?). This film could have been so much better than what it turned out to be: a beautifully made, simple storied, action script (Stars: 2.95 story, 3.95 for action).

Saw

"Saw" is a dark, sometimes spooky, fairly interesting script concept. The best thing about Saw is the interesting traps devised by the killer. Elwes and Glover hold the movie together for the most part. Without them it would have been a lot worse, I'm sure. The pacing gets slow at times but overall its a decent B grade type horror thriller. You could do a lot worse. Worth a rental for sure if you enjoy horror/thrillers. (3 stars).

Alone in the Dark

Alone in the Dark makes Resident Evil look like a masterpiece! Tara Reid's delivery is horrible, Slater can be good with a decent script but this film is absolute crap. The characters are so boring I'd rather watch Rosie O'Donnell do the polka. It's full of useless lines like, "Let's check down here." and "Over here!". The action is beyond boring and the monsters are a straight rip off of Alien. And a note for the costume designer; military soldiers don't wear paintball/catcher's gear chest protectors instead of bulletproof vests. Pure Uwe Boll junk (.25).

Submerged

I haven't watched a Seagal film since his good old days (HtK, AtL) ...and there is a reason why, unfortunately. I'll keep this short and to the point; depth less characters, hackneyed plot and so so action. And why is this film set on a sub for only 15 minutes, yet they call it submerged? -I have no clue. I'd rather Vinnie Jones as an action hero instead of Seagal because at least he is charismatic and fun to watch kick a**. Overall, this film is a chore to watch. Skip this trash (.50 stars).

The Hoax

Lasse Hallstrom directs another fairly good flick, a very down home type, 70's era, enjoyable dilemma. The interesting story holds up for the most part with the likable Gere playing conman/author Irving, but Tucci and Molina are standouts for sure. It drags a bit during the second act, but it does have some nice scenes. My favorite two are when Gere and Molina explain how they met Hughes in a series of dreamy flashbacks, also when Gere does some nice inflection work and changes his voice before our eyes. Overall, not an award winner, but an intriguing story, great costumes and design, and talented cast. Worth a rental. (3.5 stars)

Flightplan

What can I say about Flightplan? Well, it was sorta good. First let me rave about the set design, which is absolutely amazing. Seriously, I would live in that plane if I had the chance. The first act started off well but soon after takeout it drifted into boring redundancy quite quick. Then, after waiting for the payoff-plot-twist I was truly let down. I give Schwentke credit for establishing an eerie tone that was spot on, and outstanding design that had a cold elegant beautifulness about it, but unfortunately I was let down by the below average story ending and seriously underdeveloped characters. Average fair. You can do better. (2.5 stars)

Futurama the Movie: Bender's Big Score

"Good news everyone!" Well, not really. Although I'm happy to see one of my favorite cartoons back I wasn't very impressed with this outing. The jokes were few and far between and it seemed liked they brought secondary characters into the story just to say "Hello". Well made, but unfortunately not as funny as the television episodes. Worth a rental if your a fan, but if your new to Futurama rent the series first. Go Bender!

The Gift

Although deftly directed by Raimi this film doesn't quite deliver. Yes, its eerie, spooky and well made but ultimately its a strictly paint-by-the-numbers affair and completely predictable. The great performance by Blanchett is what keeps this film barely afloat, while Ribisi, Swank and Simmons do well in supporting roles. Only rent this if your girlfriend wants to see it...or your interested in Katie Holmes's lovely bits. (2.75 stars).

Battlestar Galactica: Razor

This two hour episode is well made and has some great acting in it (Forbes, Olmos, Jacobsen). Its actually better than last season's episodes so I'm rating it 3.5 stars. This redemption based episode held my attention, for the most part, but it unfortunately focuses on two characters that aren't deeply intricate to the overall BSG storyline. As a result of this and the CONSTANT USE of FLASHBACKS this episode is filled with back story and not much else. Exposition we do learn, in about ten seconds, is a main character spoiler and a bit of cylon evolution, seeing some modified original-styled cylons in action. I guess my main beef with this episode and the show is how come our respected "Colonial Officers" always draw their weapons on their friends, family and civilians? Seriously, these characters don't represent integrity and honor in ANY type of military fashion, they're discipline is horrible and in the end they're more like a rogue group of fascist vigilantes. Would you want these people in a military protecting you and your family? I think not.

Rescue Dawn

How can such a place of beauty be filled with so much violence? In Rescue Dawn we follow pilot Dengler, played by Bale, as he attempts to escape from a Laos POW camp. Bale does a nice job but his co-stars really outshine him in this outing (Davies, Zahn, Jusakul, Chunsuttiwat). Shot with wide lenses you feel like you’re in the jungle right alongside these men. With a smooth “in your face” style of elegance this film will make you feel how inhospitable and uncomfortable the jungle can really be. You see the both the beauty of the land and feel the intense physical and mental harshness it exudes. Although simple in premise, this film shows you the willpower of one man and his fight for survival in a deadly-beautiful world. Rescue Dawn is slow paced and well made, has a tacky ending, but still takes you on a fairly profound journey if you’re open to it (3.75 stars).

American Gangster

Although extremely well made by Scott, I really didn't find it particularly compelling (not to mention it was too long at 157 mins). The main reason for this is that I couldn't find any characters to root for! (even though Crowe, Brolin, and Ruby do tremendous jobs). The story is slightly interesting but because the film's characters didn't engage me, it seemed like a glossy history channel documentary rather then a grounded character driven bio picture (Blow, Carlito's Way). In the end we learn that a smart man can literally ruin thousands of peoples lives because of his lust for power and greed and only get a handful of years in prison. All in all this film was well made (except for the boom mic work), had solid editing and performances, but the film's characters I could really care less about. Rent something else unless your a huge Denzel fan.

Live Free or Die Hard

Bruce Willis and Justin Long have a really good chemistry going in Die Hard 4. The unrated version has decent action sequences (the apartment) along with great stunt work (Cyril Raffaelli). The story is very uninspiring mainly due to a weak and underdeveloped villain who isnâ€™t very compelling (Timothy Olyphant). Overall, this is a paint-by-the-numbers action film that was rushed into production (confirmed by Wiseman and Willis on the commentary track). Most of the film is Det. John McClane and Matthew Farrell in a car, trying to follow the tracks left by the â€œevilâ€ Thomas Gabriel, nothing special there. Also, the daughter hostage subplot has been done so many times itâ€™s become clichÃ©. Although holding my attention, Die Hard 4 doesnâ€™t fair well when compared to the original Die Hard or even Die Hard 2. With boring exposition scenes and weak secondary characters this one ranks the third best Die Hard only because its action scenes are far more realistic than Die Hard 3. A fun ride for sure, (3.5 stars) but just donâ€™t expect too much.

Screaming Masterpiece

I wouldn't call this an informative documentary, it's more of a visual "demo". It touches only ever so slightly on the origins of Iceland's early music history. It does however show a wonderfully edited display of some of Iceland's most creative artists. We get to see each band play almost an entire song live (Bjork has two). The chosen songs for the film are actually quite good, giving you a solid taste of each artist. From this film you'll learn that Icelanders are exceptionally talented at taking other forms of music, such as rap, rock, classical, electronic, and bringing the best out of them. The reason for this they point out seems to stem from the strong sense of 'family' in the Icelandic music scene. Another reason is they just go out and do it. It doesn't matter if you don't have any equipment or money; they believe that actions are stronger than words. (Icelanders are a tough breed indeed) The best reason for Iceland's creative music scene? Perhaps because Iceland only has a population of 300,000 and over 90 music schools! All in all this is a slick, stunning film showing some of Iceland's most creative bands that will definitely send you running to the record store (scratch the record store, I meant to say iTunes).

King Kong

Kong looks cool. Naomi Watts is hot. And Jack Black is funny. Oh, and the film is 68 minutes too long. 3 hours and 8 minutes is way too much Mr. Jackson. Man, I should have brought a pillow.

Cinderella Man

As for Cinderella Man, it was fairly good. It had a very simple story and the boxing scenes were done quite well. Had a bit too much Ron Howard sappiness for me, but hey, what can you expect from Opie? Based on a pretty cool true story, but overall it was just a bit better than average (3.5 starts) and I don't think Opie can really cut it like Michael Mann or Luc Besson. Where is his vision? Maybe he left it in Mayberry.

Havoc

What a piece of unrealistic crap. White chicks going down into the 'hood'? I give it one star only because light was exposed onto film. Skip this trash unless your looking for the two leads naked (0.01 Stars).

Bubba Ho-Tep

Bubba Ho Tep is one of those film where just its title makes you go "Hmmmm, what can this be about? And do I REALLY want to see it?". Bruce Campbell and Ossie Davis both do an awesome job as two old men wasting away in a Texas retirement home. Although the film is low budget (under a millionish, I think) it looks fairly good and adequately achieves a very dark, unnerving tone to it. A little drawn out in some parts by director Don Coscarelli, this film still has it; great actors, a solid score, and a decent script full of dark dark humor and an evil foe to fight. Not as good as Shaun of Dead or Army of Darkness but easily just as fun and absurd in that weird sort of way. Check this film out if your in need of "something different", unique and just plain odd (3.5 stars).

Saving Grace

A pretty funny Craig Ferguson romp. I guess we'll never get tired of uptight Englishmen getting high off there own supply. If your a Ferguson fan check it out.

The Machinist

Bale is great. He looks like a stick figure. I'd say more but I can't remember if the ending satisfied me. (Remind me to write the review right after viewing). Decent, dark and intriguing flick...

The Constant Gardener

It was a fairly good romantic story, but it felt pretty long at 129 minutes. Maybe I just wasn't in the mood for a beautifully structured, artful mix of forward motion and flashbacks. Well made, but didn't impress.

The 40-Year-Old Virgin

Really funny stuff, Steve Carell does a great job. Great comedic actors throughout, especially the characters of Mooj (Gerry Bednob) and Jay (Romany Malco). The dvd commentary is funny as well; its the whole entire cast sitting around goofing off. 40 Year Old Virgin is just as good as Wedding Crashers if not better... Totally recommended for a gut busting night. I can't believe I just wrote "gut busting".

A History of Violence

More of a character study than plot driven. A quiet film, fairly interesting... Good performances but I'm not a huge Cronenberg fan so it just didn't pan out for me.

The Squid and the Whale

If your from a dysfunctional family you'll relate... If not, skip it. You'll find it totally and utterly boooring.

Primer

Made on a super low budget, it looks rather neat sometimes(a lot of smooth dolly shots & rack focus). The tone was interestingly intimate and the cinematography pleasing odd, although I would imagine some D.P.'s are turning over in their graves. I can't fault its production values considering it was made for only $7000 but I can rag on the writer/director Shane Carruth a) because the film didn't make any sense after all is said and done b) his characters lacked any depth to them and c) his acting skills were lacking compared to co-star David Sullivan. A real nice first time effort but I wish he would have written a real story instead of a time traveling mess. I mean seriously, should it be "that" hard to figure out a story? I mean Momento and Total Recall you can wrap your head around, but this... naw.

Crash

Everyone I talked to seemed to really like Crash. Sure, the slice of life vignettes kept me entertained but guess what? I already know everyone and their mother is a racist (and I'm a honky). Do you think this film is really gonna change the way those hardcore Neo-Nazis types think? Nah... plus, the film was pretty freakin' unrealistic don't ya think? When was the last time LAPD chased a fleeing suburban, with two black guys in it, drew their weapons and then just let them go? Answer: Freakin' NEVER! Hell, they wouldn't even do that for disabled people, they'd have them shackled up all over the place while they bust out the tasers. Overall it had some truly great actors giving us some great scenes but for me it wasn't life changing, it felt too contrived.

Panic

Panic is a cool, underrated, gem of a film that I stumbled upon. Great acting and a quirky script make this one pretty damn good. Although it has a depressing mood and dark, interesting characters, the semi-twisty plot and solid acting make this a nice piece of work. Definitely check this one out if your looking for something a bit different than the norm Hollywood fair (3.75 stars).

Serenity

Fairly solid Sci-Fi pic. It's pretty much like an episode of the TV series "Firefly" (2002) which it originated from, but with a bigger budget. Joss Whedon still provides effects that look nice, some solid action and his touches of humor are still there. The characters are likable right from the start with some twists thrown in as well. All in all a nice film for a lazy Sunday evening. Worth a rental if you want some campy sci-fi action fun! Oh, and I recommend you watch the TV series first before this film!

The Chronicles of Narnia: The Lion, the Witch & the Wardrobe

The story of Narina is fairly cool. There is some decent fighting sequences, good actors all around and some very beautiful New Zealand landscape shots. All in all this film has solid effects enveloping great actors that will take you on a whimsical journey. Oh, and there is a talking lion. What else do you need?

Lord of War

Lord of War is an interesting flick about arms dealing (there is some violent action scenes but not much full scale war as the title would suggest). The directing, the sets and costumes were quite solid. Actors (Bridget Moynahan, Ethan Hawke) were fairly well cast. Cage did a nice job but Ian Holm was the best and most rounded character. The script was so-so and seems more like a hyper realistic story and dance than a grounded dramatic vision of a film, say like "Goodfellas" or "Blow". With this film it's characters are glossed over Hollywood style leaving you to not feel much when they are gone (via death or even just leaving). Yuri, played by Cage, seems to care only about himself, leaving the other characters out in the cold. Was it written and directed by Andrew Niccol like this on purpose? Yes. But I think it would have made a better film if Yuri cared more, trying to hold his personal life and business together at the same time. In the end, does Yuri get whats coming to him? You'll have to check out this social commentary on gun runners to find out. It's a solid, well made dramatic film. Interesting, but not great-great as Ebert and others have made it out to be.

Come and See

Come and See (aka Idi i Smotri) is a holy sh*t, intense, moving war flick. Nazi's invade Russia during WWII. You need to check this one out, it sticks with you. Also, check out my list: High Caliber War Films Not to be Missed!

Two for the Money

Interesting look into gambling, but its still a paint by the numbers script for Pacino and Mathew Mconanheyerlayheryhay (or however you spell it). Decent flick, but not a 'definite' rental.

Thank You for Smoking

Thank You For Smoking is a nicely crafted script of dry satire. All in all this is a darkly funny script with solid actors. Do you make the morally right choice or do "pay the mortgage"? Choose wisely... and rent this one.

Domino

Keira Knightley with guns. What's not like? Enough said. But usually, in a film, there is more to it than just an actress with a hot body (unless your watching porn). And that one thing I'm speaking of? A story. This film's story is sooooo uterrly L-A-M-E! It's absolute dreck. There are crappy twists, no awesome shootouts, and no romance. So why is this film lame besides no story? S**t, the only reason I can think of is that Tony Scott is a hack. Sure, I liked Man on Fire and True Romance but he should seriously take a lesson from his brother (Sir Ridley) on how to pick a good script BEFORE HE STARTS filming. God, I wish I could have my two hours and sevens minutes back. Keira, you tricked me. Damn you. Damn you and your fine body to bounty hunter hell.

The New World

The New World is a beautifully crafted by Malick but someone forgot to pack the script. I loved the cinematography, and the actors (Farrell was good & the 14 year old Q'Orianka Kilcher was amazing) were spot on. But overall the story lost its way during the last 2/3's of the film. Skip this well made production and watch a decent story like Dances with Wolves...

Into the West

Some interesting dialogue exchanges but there were far too many characters who would show up only to die 20 minutes later. I connected with a few of the Indian characters but everyone else --man, this series was a serious chore to get through (12 hrs). I somehow think that someone should be able to come up with a decent "Americans Go West/Indian Mistreatment" film rather than a long, uninteresting piece of choppy fluff. Nice try Spielberg, but no cigar...

Blood Diamond

I really liked this film. It probably deserves only a 4.5 but overall *Blood Diamond* is a hot action drama which gets only a bit slow towards the end. Leo sports a kick butt accent and the cast was solid, especially Djimon Hounsou. All in all a definite reco... Total thumbs up! Queue this one up for sure if you want some solid story driven action!

Casino Royale

Bond is back! In Casino Royale Daniel Craig is a more rough and tumble type Bond, like Sean Connery...plus there are no silly car chases through a freakin' ice castle to rescue Hally Berry. All and all a fairly realistic script [although a Bond film can never be completely realistic, its a Bond film after all] with a decent plot and some solid acting. A few problems I had with this film was the poker sequences, which went on too long, and the theme song, which was total crap. Otherwise, there hasn't been a Bond this good since Goldeneye, which was directed by guess who? The director of Casino Royale, Martin Campbell (3.75 stars). Check out my list of Top 10 Best Bond!

District B13

The french flick Banlieue 13 is produced by Luc Besson [The Professional, 5th Element, Ong Bak] and is over the top fun. Crazy overblown characters with some mind blowing action sequences. ALL STUNTS are performed by the two leads [Cyril Raffaelli, David Belle]. The action is like a new updated version of Jackie Chan called Parkour [developed by lead actor David Belle]. All in all its great fantastic fun which both sexes can enjoy. Cool stuff, it'll impress you, check it for sure.

Apocalypto

Apocalypto is well made but overall it is just a simple action script set in the unknown Aztec world. Some of the CGI looked corny, but the costumes, DP and actors were spot on. Worth a rental to see the Aztec world but not a "must see".

The Bone Collector

In the BONE COLLECTOR, adapted by Jeremy Iacone from Jeffery Deaver�s book, we see plenty of Washington�s stern faced Lincoln Rhyme. He�s the department�s top crime scene detective, and we really do see a lot of his face --well for one thing because that�s the only thing on his body that can move. Meanwhile, a heavily accented and troubled Angelina Jolie plays a fresh faced rookie patrol-chick who unwillingly gets to be Denzel�s eyes and ears at each grizzly crime scene. Philip Noyce CAN direct great films (Rabbit Proof Fence and Quiet American) but he misses the mark with this one. The main reason is that when you can guess the killer twenty minutes into a film it�s usually a bit tedious to watch the rest. The only thing that saves this film is the particularly good actors doing there best with a mediocre script and the great mise en sc�ne created by Dean Semler (DP), Nigel Phelps (PD) and others. All in all you get a somewhat scary, very predictable film, sprinkled with underused talented actors, that climaxes in a useless 120 second finale (talk about Deus Ex Machina). Do yourself a favor, go rent Seven again.

Empire of the Wolves

I really wanted to like this film produced by Patrice Ledoux and starring Jean Reno. I mean it has some awesome cinematography, some kicking beats for the soundtrack and some impressive production design. What it doesn’t have is satisfying plot. The first fifteen minutes of the film are fairly useless, a woman named Anna Heymes trying to figure out why she can't remember her husband. The scenes really didn't make me care much for Anna, not to mention all the characters from those scenes (save one) are virtually a non factor to the film's resolution. Secondly, the psychiatrist's character that helps Anna was not needed at all; Anna could have found out all that information without the psychiatrist who was just a sympathetic sounding board. Next, due to the fifteen minutes of wasted filler at the film's start Jean Reno's character was brought in late to compliment the average acting and charisma by the head policeman played by Jocelyn Quivrin. Finally, the action scenes were few and far between making this film of 128 minutes a chore to finish. Like previous reviewers have stated, try renting these better flicks: the Crimson River films, Leon (aka The Professional), and La Femme Nikita.

Green Street Hooligans

The subject is fresh [atleast here to us Yanks in the US]. It was interesting to learn about the gangs, or "firms" of football supporters that they have in England. The acting was good from the two leads although some of it felt very stilted on occasion. Overall the plot was quite predictable, the fight scenes average but the subject of UK football held my interest enough that I watched the entire film. Decent indie flick --you could do a lot worse.

Carlito's Way: Rise to Power

The reviewers of Rise to Power are correct, this film is quite weak and doesn't show us ANY of Carlito Bregante's history [unlike Batman Begins] previous to "Carlito's Way". Luis Guzman OUTSHINES his co-stars in just a supporting role while Jay Hernandez and Mario Van Pebbles do an adaquate job --the biggest flaw is Sean "Puffy" Combs who is especially HORRIBLE. Combs may look the part but during a bar scene where he deals with a punk he is an utter disappointment. He pauses after every few words during his 2-3 minute scene. He takes so many pauses you could drive a truck through them --absolutely amateurish. Additionally, the A and B plots are so divided in this film you might think your watching two DIFFERENT films. The romantic subplot is standard but just disappears outright halfway through the film where the main mafia-ganster plot then takes back over. All in all this is a B grade flick, barely worth watching. Stay away.

The Unit: Season 1

This is a terrific dramatic show by awesome creators, Ryan and Mamet. It weaves multiple plot lines each episode, usually a women's home front issue and "The Unit's" mission abroad. It's great because both women and men can find things to like as they watch together. Now, some people complain that "The Unit" should cover more of the male action-adventure plot line over the female on base issues. I say that's not the point of the show. Because if they did that you would probably end up with some half-assed psudeo "24" or an even more boring "Over There" series. Overall this is a high caliber show; solid action, top actors and interesting stories [based on Eric Haney's memoir "Inside Delta Force"]. I wish it could be darker and grittier like Mamet's and Ryan's normal projects, but still, there is no reason not to check The Unit out (lay off your American Idol crack for once).

Inside Man

This film has some good camera work, and some cool shots. Also, solid actors all around. The story is decent but after we find what's "in the box" its a let down and pretty lame...which makes it a well made, albeit average flick. Watch something better like Catch Me If You Can, Usual Suspects, The Getaway (1973) or HEAT.

Munich

Munich is a thoughtful film about terrorism used in the Israel/Palestine conflict. Bana (and others; Ciar�n Hinds, Geoffrey Rush and Daniel Craig who will be revitalizing Bond 21) do a fantastic job Bana is a troubled Mossad agent sent to extract revenge on those who planned the terrorism in Munich. The scene were Bana hears his daughter say "Da da" on the phone was breathtakingly amazing. Although a bit long this film is still engrossing. It feels like your in the 1970's with the use of muted tones and no corny costumes (bell bottoms etc..). Spielberg uses all his skills here to great effect to show how a country must fight to survive. If you don't think Munich is relavent today then you've definitely missed its point. There is a war going on this very day as I sit and write this review. People are being murdered, innocents being killed [on all sides]. War is a horrible destructive force and Bana's character must decide: How long can I kill for my country? And when does defending your country turn into pure revenge, savagery and murder? This is defintely a must see and one of last year's best. Sidebar: Granted, Spielberg may be Mr. Popular in Hollywood but he sure as hell takes chances with some of his films showing with great technical skill what subjects other self rightous directors dare not (Schindler's List , Amistad , Munich , Saving Private Ryan , "Band of Brothers" ).

Sniper 3

This is the worst out of the Sniper series. The plot is too simple (and retarded) plus there were only about two action sequences (one where he's assigned a target at a night club and the other in a tunnel system; both in Vietnam). Although I like Berenger alot as Beckett this one just didn't have the action or tension like the previous films. Skip it.

Uncommon Valor

This is an average eighties action flick with all the main ingredients. You've got giant fireball explosions, good actors (and some cheesy ones) and some hookey-lame dialogue. Basically if you want some mindless fun surrounding a pretentious plot and poor execution, this is your baby. So crack a beer, sit back, and enjoy this fairly entertaining adventure.

Dark Kingdom: The Dragon King

Sydow shows his awesome talent by out doing his co-stars. The production design was decent; the "Smithy" set in the forrest was cool, the "Castle" sets a bit below average. The script was adequate although a bit more character developement could have helped. In addition there were a few under utilized characters; mainly the King's little brother and the two evil Saxon twins. A nice attempt at a unknown myth by much of the public.

Sasquatch

This is one of the worst edited films I've seen in my life. One minute a character is in the plane, in very the next shot he's out walking in the forest, then he's back in the plane again. This is one gawd awful film. The Bigfoot's costume is pretty neat, I'll give them that, but too many blur effects and wierd angled shots make this a chore to watch (at least in P&S on FX). Andrea Roth (Rescue Me), Russel Ferrier and Lance Henriksen almost make this film watchable, but not quite.

Ong-Bak: The Thai Warrior

This is a fairly solid martial arts film. The physical ability of the main character 'Ting', played by Tony Jaa, is phenomenal. Most of the stunts are said to have been done without wire work or CGI which is just plain amazing, especially since now a days anytime you see someone do a flip its with wires. If you look at the dvd extras you can see how good Jaa really is (he's a freakin Mary Lou Retton!). Your jaw will drop in astonishment at the things he can make his body do; he literally throws himself in the air, does a few flips, then lands like a cat and keeps on running. Jaa is beyond impressive. One example is when he does a double spin kick while his LEG'S ARE ON FIRE AND HITS A GUY SQUARE IN THE FACE. Amazing. As for the fighting scenes featuring Muay Thai fighting, they're pretty fun to watch as well. Not great, but good. Anyways, I haven't been this excited for a martial arts film since Jet Li's "Fist of Legend" but as with most martial art films the story here isn't the greatest but you don't watch martial art films for the story, now do ya? Anyways, so sit back and enjoy the real action from truly amazing and athletic actors. (To note: It is widely know that the stuntman in the Far East really do hit each during scenes, it's actually expected so all the hits you see the stuntman taking in the film are as real as real can get...check'em out in slow mo) Enjoy the action and laugh as needed at the whimsical story. In the end, "its all good".

In Good Company

Quaid does an awesome job (along with Scarlett & Topher) but the film seems to gloss over the real plot conflicts, not drawing you into the story as much as you could have been (keeping it light and fluffy). Just a cute little story about growing into an adult, nothing too deep (your girlfriend will like it).

Owning Mahowny

Philip Seymour Hoffman does an *awesome* job in this indie. The story about a Canadian banker with a gambling problem is pretty interesting and fairly intense. Some strong performances (John Hurt, Maury Chaykin) make this average story better than it is. Recommended for a rental (3.5 stars). Check it out mainly for the command performance by Hoffman.

Charlie and the Chocolate Factory

Fine performances (Freddie Highmore & Johnny Depp). But unfortunately the story isn't that interesting. I found it to be like a Kit Kat bar. You get excited that you're about to eat it. Its yummy, good and mouthwatering as you do eat it. Then afterwards your sort of depressed cause you only have one and that's all there was. The film looked really sweet, but with just good visuals and talented actors it just didn't do it for me. Tim Burton should seriously pick some better scripts don't get me started on Planet of the Apes and Batman Returns. Anyways, I think I'll rent the "real" Willy Wonka & the Chocolate Factory (1971). Gene Wilder is way cool.

Mr. Baseball

This is a fun flick. Selleck gives a great performance as aging Yankee MVP slugger Jack Elliott. I've seen a game in Tokyo and this film captures a lot of the essence of Japanese culture and baseball. They really do do things differently in Japan even though they seem ludicrous in the film; giving out stuffed animals for homeruns as well as chanting your name every-single-time your up to bat (wierd stuff). Selleck's character, Jack Elliott, had a huge apartment though, he must have been making some good money. All in all this film shows a lot of REAL Japanese culture, great actors (Badass "Black Rain" actor Ken Takakura, Aya Takanashi & Tom Selleck) and is truly an entertaining yet campy baseball flick. I'll leave you with my favorite line by Selleck. Jack Eliot: I'm a World Series MVP! Skip: That was four years ago, Jack. Last season, you hit .235. Jack Eliot: LAST SEASON, I led this team in ninth-inning doubles in the month of August! Funny stuff. Recommended highly for baseball fans!

Miracle

Solid and historically accurate film about Herb Brooks, the coach of the 1980 US Olympic Hockey Team. Great acting by Kurt Russell, he does a tremendous job as the coach. The rest of the team isn't that impressive but that's becuase the film focuses solely on Russell's character... *Awesome* hockey cinematography sequences along with *stellar* sound editing make this an all AMERICAN CLASSIC! Highly recommended for hockey fans.

Jarhead

Average flick. Solid acting especially by Jake G.. Not too much war action for a film about a US Marine. Book was more anti-miltary then the film displayed (guess you don't want to lose any military assistance for the making of the film). At the end of the film your left with the feeling of what you might be left with after coming home from a real war, "Now what?". I'd stick with the book for a much more personal account of Swofford's experiences due to film's limitations of getting inside a character's head. For additional solid war RECOMMENDED flicks see my list entitled: High Caliber War Films.

Heist

This is truly a lackluster attempt by Mamet. Although filled with solid actors the dialogue was average and Hackman was the only one that really shined to any degree. Overall the plot was muddled and uncomplicated (for a mamet film). I'd defintely skip this one and use the time to rewatch any number of great Mamet films like Glengerry, Ronin, The Verdict, Spartan, State and Main or The Untouchables.

Battlestar Galactica: Season 1: Disc 1: The Miniseries

Battlestar Galactica: The Miniseries is a decent rehash of the original series. Adding the cylon capablility of being able to be a human is a nice and sinister touch. It's not as lighthearted and campy as the original and by just making it darker in tone while changing characters sexes and glossing it over with jazzy effects doesn't seem too much of an improvement either. That being said, the new series is even less impressive. After watching four episodes I've come to the conclusion that after the first episode it all goes down hill. It starts with changing Starbuck into a female character. I have no problems with that, its just the actress playing her isn't very impressive and it doesnt help that her character is written so boringly (Can anyone say Maverick in Top Gun?). Capt. Apollo is fairly intriguing, much like in the original, but on occasion you can hear his practiced American accent slip in the first few epidsodes, not enough to reveal his british accent, but sometimes enough to be distracting. The effects and production design are slick nice although the ugly Galactica looks like a big old potato in my opinion. The battle sequences are fair. I would much rather see more one on one type dogfight scenes between a viper and a raider to give us a deeper sense of danger and excitement affecting the Galactica's characters. I find an entire battle sequence shown to us in a master shot of 20 vipers flying towards 100 raiders shooting lasers to be quite boring. On the strong side however there is Edward James Olmos, Mary McDonnell and James Callis; all quite excellent, each commanding attention when onscreen. All in all an average remake attempt but due to its lack of new material (reshaping/copying of old stories) I believe it to be destined to last only two or three seasons max. I think I'll have buy the box set of the orignal series and take the new BSG off of my Tivo's season pass list.

Family Guy Presents: Stewie Griffin: The Untold Story

It does push the envelope a bit more than usual with cursing and such but overall this is just a 90 minute episode. Not a bad episode but not stellar which is what I had expected from this movie. I think I'd have to give it a 3.5 rating. Most of the characters, save a few, make appearances. Pretty funny stuff, worth a rental or maybe a purchase if your a die hard fan/collector.

Iron & Silk

I really liked the book of the same name but unfortunately author Salzman's acting is quite poor. His gung fu is good along with the outstanding martial art segments by Pan the "Iron Fist" but that doesn't save this film. The plot is thin and the characters are fairly one dimensional. Skip the film and read the book, you'll get more out of it (although they did show a majority of the interesting scenes from the book). Also of note is that the film is in P&S not widescreen.

Slap Shot

Some really funny stuff. Newman is great. Solid, talented actors fill out the rest of the team & cast. A little long at 123 minutes. Fairly decent hockey scenes, but good fighting. Worth a rental.

The Dreamers

Michael Pitt plays Matthew, a 19 year old American studying in Paris who befriends a rather oddly "coupled" pair of French twins. Bernardo Bertolucci is still the master, one shot gives birth to another as he uses long steady cam shots that aren't interrupted. With them you feel a tremendous intimacy, you feel as though the camera has wings. This film is lush yet simple, startling yet ordinary. It is hard to explain, but its cinematic truth that you don't find anywhere anymore. The story may not be the grandest, but that's not what this film is about. Its about the exploration of youth, the playing, how one must eventually stop the childness. Its also a dream for Bertolucci, how he remembers a time when cinema lovers of the sixties, how the likes of Godard and Truffaut fought against established values. If your a fan of real cinema and the new wave in Paris, then you'll probably enjoy this film (3.75 stars). If not, stay away.

Eulogy

Some good actors (Zooey Deschanel, a hilarious Ray Romano & a funny Rene Auberjonois) give funny performances but that's about it. I'm finding the "family getting together for a funeral" thing a little played out. Nevertheless, there are some chuckles throughout Eulogy but the plot is pretty freakin thin and if your film is suppose to be a comedic character piece rather than a structured story then you need more than stereotypical buffoons to make it float. I'd skip this pointless romp because its dead on arrival.

Riding Giants

Riding Giants is a cool look at the history of big wave riding (up to 60 feet!). It runs long in some sections but still very cool. Man, those surfers have balls of steel (3.75 stars).

Mystery, Alaska

Mystery, Alaska is an uplifting small town hockey film written by David E. Kelley with good performaces (Russell Crowe, Colm Meaney). A little hokey at times but what else would you expect from David E. Kelley (Ally & The Practice)? And to all the people who complained about its sexuality and language in regards to thier children watching it don't you know what rated 'R' means? It's rated 'R' for a reason. Duh. --My work here is done.

The Assignment

The Assignment is a fairly good B grade spy thriller with solid performances throughout (Kingsley, Quinn, Sutherland). Probably worth a rental and keep an eye out on the ambiguous ending.

Hotel Rwanda

This film gets into your soul. You follow the noble Paul Rusesabagina (superbly played by Don Cheadle), a four star hotel asst. manager, as he tries to save over twelve hundred Tutsi refugees in Rwanda. Great actors are all around (Nick Nolte, Hakeem Kae-Kazim, Desmond Dube, Fana Mokoena, Jean Reno) especially Sophie Okonedo, who does a smashing job as Paul's wife Tatiana Rusesabagina. Terry George's film isn't perfect but its pretty damn good and gets under your skin. Do youself a favor, rent this film you won't regret it. (The dvd extras are good as well.)

Walking Tall

An average action flick with a basic story based on the real life, tough as nails, Tennessee sheriff Buford Pusser. The smooth Dwayne "The Rock" Johnson, the steely evil Neal McDonough and the hilarious Johnny Knoxville do well with this average script. The best part is the solid, no holds barred, old school fight sequences sprinkled throughout the film. If you want some 80s styled head smashing with bodies flying through the air, this is your baby! (2.5 stars)

Enigma

Tom Stoppard writes a twisty thriller of a story, based on a novel by Robert Harris. It involves a math genius codebreaker (Dougray Scott) working to break the German's Enigma Coding machine at the legendary super secret country estate, Bletchley Park in Britian during WWII (i like a runon sentence now and again, sue me). Although a bit unexciting at times (very little action) the actors (intelligent Kate Winslet, smooth Jeremy Northam and the oh so captivating Saffron Burrows) keep you fairly riveted. One part murder mystery, one part break the code to save the allies, this film's structure is well constructed and will keep you in suspense till the end. All in all, Enigma is a solid film by Michael Apted and one worth viewing if you like espionage war films. A sidenote about the regular dvd edition that I watched: The audio levels were very uneven and the transfer was lacking (which was probably why they made a special edition, well that and to make even more money on the same product).

The Prime Gig

The Prime Gig is a low budget, watered down knock off of Mamet's famed Glengarry Glen Ross. Vince Vaughn plays Pendelton 'Penny' Wise, a down on his luck phone hustler who's looking for his next big break. He does an excellent job and carries this character driven film to completion. Along for the ride is, the superb as always, Ed Harris who plays the bigtime money man while Julia Ormond provides some romantic subplot. I enjoyed following Vaughn's charater throughout the film but the ending left me a bit unsatisfied. All in all some great acting as well as an inside glimpse of the always interesting shyster world. Although the structure is a bit disjointed in terms of useless characters and fairly thin on plot I would still recommend this film based mainly on Vaughn's solid performance (one of his best to date) (3.25 stars).

Hellboy

Hellboy is a comic book adapted to the screen and suffers from the usual weak-thin characters and shallow stories that typically inhabit such a transfer. On the plus side, Ron Perlman does a badass job playing Hellboy with sarcastic humor and all. On the down side is that the evil head honcho, Grigori Rasputin (Karel Roden), is thinner in character than the delicious wafer of a woman Lara Flynn Boyle. All in all this film has some solid effects, entertaining action and some fun performaces by Hellboy and crew (John Hurt, Jeffrey Tambor, Doug Jones, Selma Blair's character was under utilized) but this average mess of a story takes a backseat to the wise-cracking Hellboy. A decent attempt by Guillermo del Toro but ultimately this is just eye candy like the recent Sin City.

The Last Castle

The Last Castle started off well albeit predictable; a new prisoner, the famed Lt. Genreal Irwin played by Robert Redford, is delivered to a military prison run by warden Col. Winter (James Gandolfini). Immediately they form an adversarial relationship that drives the film's story. Will Redford revolt against the tyrannical warden who kills indiscriminately or just do his time like everyone else? The acting is quite good by the two leads, all things considered, but I was especially impressed by Mark Ruffalo who I had not really taken much notice of in past performances. What turns this film into slop is that it is not only overly long at 131 minutes but during the last hour, during a prison revolt, it slips into the most gawd awful unrealistic of situations; the inmates built a trebuchet in a matter of minutes and fling heavy stones through the warden's office window which overlooks the 'yard' or how about let's have a helicopter circle the yard with only one man in it sniping inmates with a shotgun? Both of those are pretty feasible and reasonable, don't you think? Redford gets many moments to shine (most likely why he took the movie in the 1st place) telling his "men" what it means to be a leader but overall this thing dries up shortly after it starts and turns into a big old lump of unrealist manure.

The Boondock Saints

The Boondock Saints can be categorized as similar in style to Snatch or Lock, Stock and Two Smoking Barrels. It has the same environmental seediness, dark humor and flamboyant characters. The one thing it doesn't have? A story. Let me put it this way: Two "religious" fraternal twins (played by the skillful Sean Patrick Flanery & Norman Reedus) decide to start killing mob bosses and dirty scmbags. That's it. It ends there. There's not much else too it. Well, there is a gay FBI agent played way over the top by the brilliant Willem Dafoe and an aging hitman played by the talented Billy Connolly. But other than that, there isn't much to the film. The modern score sticks out like a sore thumb... Again, the actors are solid and entertaining and you can tell they had great fun making the film but writer-director Troy Duffy's story was just too weak for me. It may become some sort of cult classic someday, but it won't be because of its lame story. Oh, I just read they're making Boondock II: All Saints Day. How lovely.

Monument Ave.

This dark and gritty drama "Snitch", aka Monument Ave., takes place in "Southey" or the Charlestown section of Boston aka Irish Harlem. The late, great Ted Demme (Blow, the hillarious & brillant "Action" TV Series , Beautiful Girls, Denis Leary: Lock 'N Load) directs while an unusually understated Denis Leary plays a boozin, eight ballin coke addict who's job as a small time car thief is in jeopardy by the local mob boss (played excellently by Colm Meaney). The script is short and sweet at 93 mins, it isn't terribly complex but there are plenty of great actors to gaze upon, each (Lenny Clarke, John Diehl, Famke Janssen, Billy Crudup,Martin Sheen, Jeanne Tripplehorn) contributing their share to this emotional, character piece. This is a somewhat intense, fairly gripping story with solid actors and performances (especially by Leary). Definitely worth a rental alongside the truly excellent State of Grace (Ed Harris, Gary Oldman & Sean Penn).

Massive Attack: Eleven Promos

I love Massive Attack (I have 5 of their albums), but the videos on this disc aren't that great or awe inspiring. "Angel", "Sly" and "Protection" are probably the best vids. And even though I LOVE the song "Unfinished Sympathy" I hate to say that the video was quite boring --just the singer being followed by the camera while she walks down the street. I got a shock from "Be Thankful For What You Got", nobody told me a stripper goes down to full frontal. All in all some decent videos but nothing I'd right home about. If you a fan, check it out. Otherwise if you want to see the best videos you've ever seen in your life, check out Bjorks: Volumen. They're truly amazing.

Bjork: All Is Full of Love

All I can say is this is an outstanding video with insane production value. Possible my favorite video of all time. I promise you you've never seem anything like it before. And to all the people who gave it only 2 or 3 stars beacuse it only has the ONE video on it; "All is full of Love" what a bunch of retards. If it says just "All is Full of Love" and then says contains two additional audio tracks "What do you think the disc is going to have on it?" A whole boatload collection of videos? Idiots. Let's rate something down because there was only four minutes of content on it even though its GREAT content and I would have known that if I would have BOTHERED to READ the description. Man, I bet your the type of people who show up to the wrong class in school because you can't read the catalog. My work here is done. Peace.

Donnie Darko: Director's Cut

Donnie Darko Dir's Cut was interesting, the actors solid (Jake Gyllenhaal, Mary McDonnell, Holmes Osborne, Maggie Gyllenhaal) and the music took me back to the 1980s. (Who doesn't love the Tears for Fears anthem "Shout".) What the film didn't do after 133 minutes was explain what the f*ck happened. I'm still scratching my head after this one. I mean at least with Momento or Total Recall you could reconstruct events in your head and pretty much figure it all out. Here no freakin' way. Anyways, its a well made film but one I still have no clue what its about...maybe I'll have to watch the original, since I've never seen it before or if someone wants to divulge the film's secret meaning to me (without me having to join the secret fan club), please feel free.

Tae Guk Gi: The Brotherhood of War

Taegukgi hwinalrimyeo (2004) ... aka Tae Guk Gi: The Brotherhood of War is the Korean equivalent to Speilberg's "Saving Private Ryan". Directed and written by Je-gyu Kang, the action is fierce and explosive but isn't as tightly choreographed as an American built war epic. Dong-Kun Jang does an excellent job as the older brother turning his relationship between himself and his younger brother into a completely gripping and emotionally poginent story. Maybe I'm biased, but I love war films [Enemy at the Gates, SPR, Platoon, FMJ] with characters of depth that I can really root for. I hate to curse, (not really) but this emotionally deep war meldorama is truly some good sh*t. Highly Recommended!

Bridget Jones: The Edge of Reason

Bridget Jones's Diary was fairly good. The sequel, Bridget Jones: The Edge of Reason was quite bad. Not a bad, bad. Just a not a very good good. With a script as weak as Ghandi's uppercut this film moves along at a meandering pace with no real direction. And when it does move it becomes quite contrived (smuggling cocaine in Thailand anyone?). I would expect more from talented writers such as Richard Curtis and Helen Fielding, among others. All things considered though, the acting was spot on. The delightful Ren�e Zellweger, cleavage and all, was effective as ever. The stoic Colin Firth and the preposterous Hugh Grant were both charming, especially in one of the film's funniest moments: a chaotic wrestling match in a water fountain. All in all, although funny at times, the writing could have given us more visable dilemas for Bridget to encounter or a strengthened, more pressing need for her to get married. In the end you need "reason" to truly like this silly film then again I quite enjoyed the scene where a quaint little kiss was given out by the delectable Jacinda Barrett. Go figure, eh?

Man on Fire

Great acting as always by Washington. Scott does nicely, although why does he and his brother continue to use jarring visual photography to spice up there films? I just wanna smack'em both, tell'em to just 'tell the story' not mtv the freakin' thing to death! --sorry, back to the review. Dakota F. is awesome as the loveable Pita; good chemistry between her and Denzel. The majority of the supporting cast (Christopher Walken, Rachel Ticotin, Giancarlo Giannini) is solid as well. Marc Anthony is adequate as the father but during his climatic scene I believe he could have showed us a little deeper emotion. Also at times Radha Mitchell played the mother a bit too cold; more on the lifeless side. Although great as drama built action, it does run long at 146 minutes. I believe a lot of character development during the first 40 minutes of the film could have been deleted, as well as most of Walken's scenes (sorry chief), to improve the picture's overall slow pace. All in all a nice action packed drama worthy of a friday night rental (3.75 stars). Cheers!

Mean Girls

I guess I wasn't picked on enough in grade school to appreciate Mean Girls. Or maybe its just one of those 'girl' things that men just won't ever understand? That perhaps women feel quite insecure as adolescents thus having to attack each other to make oneself feel better? I don't know, but I do know that Mean Girls is filled with an extremely strong ensemble cast all the way through. That being said the story didn't move me too terribly. Sure I cared for Cady, the lead character, but ultimately I was left to say, "So what, people disrespect and degrade each other all the time. What else is new?". In conclusion, although It did tickle my funny bone on occasion, was well made and directed, I think that Mean Girls just didn't really 'mean' much too me. This movie doesn't live up to all its hype by its creators and critics. It was high school cliched, quite dull and boring at times. And finally, it really wasn't that funny. Translation: I'd take a pass on Mean Girls unless you want to score points with your wife or gf.

Spartan

Val Kilmer is solid. David Mamet keeps the pace going. Visually it could have been better, Mamet is no David Lean. The only extra is commentary by Kilmer where he states in a dry humor that Mamet is a "hack", jokingly of course, but he does go on to say that Mamet gets all his ideas from his daughter (and ridicules him often about various things; "cutting out all the good parts", "and how proud he is that in this film Mamet didn't have to rely on profanity", and the occasional HEAT adecdote... LOL...funny stuff). But by and far Spartan is an entertaining and tight thriller.

Remember the Titans

I watched this film again the other night and guess what? It's still as good a film as ever. The actors are spot on: Denzel Washington and Will Patton are excellent, Donald Faison quite enjoyable (even though he seems a lot like his character on Scrubs; go figure), and Hayden Panettiere is ultra adorable as the coach's daughter. It maybe overly melodramatic but it still resonates with cinematic power the difficulties society has with racism. With a tight and poignant script by Gregory Allen Howard this film is a damn nice piece of work. Definetely worth a rental. Highly Recommended.

The Shipping News

The Shipping News is a highly dramatic piece full of solid dialogue and powerful characterizations all performed by an oustanding ensemble cast. Julianne Moore pulls off depth along with an astounding accent while Judi Dench and Spacey were simply marvelous. The rest of the players were exquisite as well, each breathing depth and soul into their characters. Once you move away from the acting though you still have a meandering story, and although nicely layered and sprinkled with top rate precision dialogue it only keeps you fairly interested all the way through. This film is definitely more European in its story and direction, more emotional rather than structural like your usual American fair. If you go for that type of film, then by all means this quaint little piece is definitely worthy of a rental anyday of the week.

Grand Canyon

This is a very skillfully made film written and directed by the supremely talented (i.e. badass) Lawrence Kasdan (Raiders, Empire, Body Heat, Big Chill, Silverado, Accidental Tourist). Sure, one can consider this film overly melodramtic at times but ultimately one that truely celebrates the spirit of hope in this sometimes depressing world. Fabulous actors put on command performances; Danny Glover is absolutely fantastic! in one of his best roles ever, Kevin Kline, Mary McDonnell, Mary-Louise Parker, Steve Martin, and Alfre Woodard do outstanding jobs as well. Although the story is a bit unconventional and disjointed, the highly theatrical and moving dialogue pushes the film forward quite nicely. Grand Canyon is quite a gem and although dated, still contains depth and meaning worthy of multiple viewings (3.75 stars).

Undercover Brother

A fairly funny comedy about 'thee' Undercover Brother, Eddie Griffin, who teams up with the B.R.O.T.H.E.R.H.O.O.D. to defeat "The Man". With a plot as thin as thread and racist stereotypes galore!, this film is hit and miss with its comedic moments. The last 3rd of the film was probably the funniest. Surprisingly though, all the supporting characters had moments to shine, especially Dave Chappelle, Neil Patrick Harris and Chris Kattan. Oh, and Denise Richards was stunning as always (too bad she can't act herself out of a paper bag). All in all a decent comedy, perhaps worthy of a rental on a calm Sunday evening. Warning: bottle of merlot may be required in order to make yourself laugh (oh, and they left it open for a sequel; goodie goodie gumdrops! lol). Cheers!

Bend It Like Beckham

Bend It Like Beckham is pretty cute. And I know, guys aren't suppose to say cute (it says not to in the handbook). But yeah, its not highly orignial but it is funny and cute...er rather the two leads are pretty damn cute. Its got a great supporting cast (Anupam Kher, Juliet Stevenson, Archie Panjabi) each character is grounded and not stereotypical. The acting is quite solid, Parminder Nagra does extremely well in her first film role after doing some british tv (see her weekly on the rapidily fading ER). Keira Knightley does well at well, looking oh so hot with her washboard stomach (the camera loves her and so do I). All in all a "cute" little chuckle about chasing your dreams as a teenager. Fun for the whole family. Recommended. Favorite Line: Stevenson to daughter Knightley about being a soccer playing tomboy: "There's a reason sporty spice doesn't have a fella."

Open Range

Boy howdy this sure is one picturesque picture thanks to D.P. James Muro. Duvall is oustanding as always and Costner, well he's just plain old Costner. Much like how Tom Cruise is always Tom Cruise and Keanu is always Keanu. As for the story? It's quite a simple little yarn so I won't go into the details (I hate how most reviews tell the entire story with subplots and all before you go see it), but its just enough to keep ya'll interested in the characters lives. Of course I could have lived without the romantic subplot, but if you took that out the film wouldn't be anywhere near as good (not to throw stones at Ms. Bening, just boulders at the screenwriter for writing such crap dialogue). As for the action value, it doesnt have much of any until the very end. Then you see probably one of the most realistic western type shootouts ever on film. It unfolds with long shots coupled by natural cuts all enveloped by solid gold sound fx. All in all a decent western that takes its time with the lush landscape and somewhat dull characters, just how a western should.

Laurel Canyon

Frances McDormand was truly great as a middle aged hippy record producer. Alessandro Nivola does well also, playing the cool kat, lead singer of a nameless band. Christian Bale and the gorgeous Kate Beckinsale are fine actors too but writer-director Lisa Cholodenko's script is pretty flat leaving them with little to work with. Great actors can't save this semi-bland story with trite dialogue from leaving you only somewhat satisfied.

Reign of Fire

I have to say a pretty cool premise; I mean who doesn't like super realistic fire breathing dragons? Great production design by Wolf Kroeger of a burnt out wasteland of an earth. The special effects were top notch, extremely believeable along with nice photography by Adrian Biddle (Aliens, Princess Bride). Solid actors (Christian Bale, Izabella Scorupco) filled the frame along with a really interesting performance by Matthew McConaughey. All in all a slick action piece but ultimately doomed due to extremely weak characterizations. The only character you really seem to know, and not very well, is the lead Quinn Abercromby played by Bale. Worth a rental if you just want your fill of explosions reigning fire upon leanly written characters. It could have been a much more solid film if it had gone deeper with character development. Shame, shame, shame Mr. Bowman.

City of God

City of God is the Brazilian equivalent of "Goodfellas". Although the story meanders a bit between the ensemble cast and you never are drawn into it like you are by Henry Hill's character in Goodfellas's, the result is still an artistic and moving piece of drama. With rock solid acting by the lead Alexandre Rodrigues and great directing by Kátia Lund and Fernando Meirelles this film is quite the nice piece of work. Definitely recommended, but Goodfellas still reigns supreme (3.75 stars).

Manhunter

William L. Petersen does quite well in this film. I don't know why he didn't go on to do bigger and better film roles after this but I guess a hit tv show isn't too bad ; ). As for the film itself, the story moves along fairly well. For me its a toss up between Manhunter and Red Dragon but I think Manhunter might edge it out a bit due to the spot on acting by Tom Noonan playing an extremely spooky Francis Dollarhyde. Also, Joan Allen is great along with Brian Cox doing an admirable job as Lector. Sure he might not be as scary as Hopkins but look how much screen time he really had not much. Dante Spinotti does an awesome job as always framing and lighting. The music is good although sometimes dated. Interesting enough though is that songs with vocals in them were used on shots of Noonan to get us deeper into his mind as the character of Dollarhyde --worked quite well for me. A decent murder mystery, quite spooky, well acted and and visually impressive. What else would you expect from Mr. Mann?

Collateral

Putting down Tom Cruise is easy because he still can't really act. But that doesn't really hinder him in his role as Vincent because he does not change one iota during the course of the film. He stays a merceiless, hard boiled, contract killer hired by a drug cartel through the films entirety. That being said, he does a solid job when his character doesn't have to show a wide range of emotion. As for Jamie Foxx, he never truly impressed me utill now. With skill he demensionalized his "in a rut" taxi driver character, Max, into a likeable loser. With Michael Mann at the helm he turns this simple story on tilt with his love for a stylized L.A. backdrop (shot all in HD no less) and a methodical, introspective approach to cinematography. All in all a nice character piece full of solid actors and a tight script of violence and psuedo-depth. Recommended more for dramatic film lovers or Micheal Mann aficionados.

Spider-Man 2

I gotta say that Spider-Man 2 was just as thrilling as the original if not more so. Great actors got to show there stuff; Alfred Molina was absolutely outstanding as Dr. Oct while Tobey Maguire turned in another talented performace. The supporting cast was solid as well although James Franco bugs me for some odd reason. The script by Alvin Sargent and others is very tight, it moves nicely and weaves together the 3 plotlines quite well. All in all Sam Raimi inserted a friendly comic book vibe into this action packed piece of entertainment. Definitely check this out if your in need of a comic book action fix! (Great 5.1 sound!)

The Bourne Supremacy

The Bourne Supremacy doesn't surpass its predecessor but it can stand alone if you haven't seen the first film based on the book "The Bourne Identity" by spymaster author Robert Ludlam (God rest his soul). Although slighty thin on plot this action film moves at a quick pace leaving you quite satisfied. All in all a fairly decent action film, but ultimately not as thick or intricately woven as the first. Decent work, worth a rental.

The Incredibles

I thought since everyone was so hyped up on The Incredibles that I would be laughing myself out of the theater seat. Not so much. Although quite fun and funny at times it doesn't have, I hate to use the word, "cuteness" that other films like Toy Story and Monster's Inc. have. Hell, it doesn't even have as many laughs. You don't really care for the characters as much because they don't have the flaws and weakness's that make you want to root for them to win! All in all it was good, pretty funny, but not great great.

Ray

A highly crafted film by Taylor Hackford but one that ultimately drifts from a film with story into a long documentary with no story (well it has a story, but being a drug addict & womanizer wears thin after a while). That's not to say there weren't any great actors in it because there are. The whole cast is pretty damn amazing. All in all a decent film with great music and an oustanding cast. I think I'll be picking up a Ray Charles music cd pretty soon but probably not the dvd of this film. Cheers!

Hard Rain

God, I've been watching some awful movies lately. Oh well, one of the best and only reasons to watch Hard Rain is Morgan Freeman. Although the rest of the characters are poorly written and quite weak, Morgan excels in his slightly better wriiten part as the villian Jim, which I imagine is one of the only reasons he accepted the part in the first place. He's almost fun to watch as he leads his band of misfits, chasing Christian Slater and Minnie Driver about in the rising waters. All in all a quite predicatable plot that barely keeps its head above water. Like my grandma said when grandpa drove the new Lincoln Towncar into the creek, "Let him drown, but save the car." This time we don't even want the car.

The Impostors

This film is written and directed by the talented Stanley Tucci. Funny thing is, is that its not a super funny farce. It does however have an amazing! cast of individuals such as Oliver Platt, Alfred Molina, Lili Taylor, Tony Shalhoub, Billy Connolly among others. They did provide some laughs and great characterizations along the way but that coupled with a basic and unimportant storyline didn't really "float my boat". I must say though the editing and pacing were quite marvelous and even though I wasn't ultimately satisfied I did follow along with the action quite attentively. A fun little movie but one I would probably not rent if given the choice between it and let's say Duck Soup, The Pink Panther or The Producers. Cheers!

The Phantom

Expectations weren't incrediblely high to begin with, after all Billy Zane isn't quite Jude Law and Kristy Swanson in a burlap sack doesn't really do it for me, but I'm always willing to give just about anything a chance to succeed. Although a cookie cutter action plot, the film moves along quite fast with outlandish characters and exotic locales leading the way. Zane does an admirable job as a likeable Phantom but why carry around two .45 caliber pistols if your not going to shoot your enemy dead? (You might as well have water pistols!) I can only take so much of shooting the weapons out of the bad guy's hands like you find in most cliched westerns. As for the supporting cast, one women really shines and it's sure not Kristy Swanson (No offense Kristy). You can tell she's movie star quality from frame one. Her name, if you've been living under a rockpile and haven't heard of her already is Catherine Zeta-Jones. If nothing else you can see what propelled her break out into the mainstream previous to The Mask of Zorro. Then you can let your kid brother tell you why putting a superhero like The Phantom they way they did onscreen is so utterly lame.

Navy Seals

If you like an 80's feel to your movies with a touch of Charlie Sheen and Michael Biehn, then Navy SEALS is for you. Although quite lax in the character department this film makes up for it in firepower. With some pacing problems and lame narrative scenes the only thing you'll end up wanting from this film is the balls to the walls action. Sheen's Lt. Hawkins is sooo gawd awful unrealistic, but if you can overlook the weak characterizations you'll see SEAL Ops (insertion techniques, weapons, TEAMs attitudes) that are quite realistic as written by Ex-Seal Team Six member Chuck Pfarrer (a lot of the same can be found in his solid memoir "Warrior Soul"). Sooo, if your down for some mindless action, this is your baby.

Sgt. Bilko

Steve Martin is truly a funny guy. And both Phil Hartman and Dan Aykroyd are good as well. Unfourtunately the gags arent that funny and the script is somewhat weak. Hell, even Chris Rock doesn't have much room to work with and the usual hilarious Daryl Mitchell is left playing the straight guy who saves the day. An average comedy, not really worth a rental. I'd skip it and watch Down Periscope or something...

The School of Rock

Jack Black and Joan Cusack are quite hilarious in this film. It's first act is very funny, especially the priceless scene when Jack picks the kids to play the different instruments. Overall this Linklater film is fairly good fun, its does however drag a little bit in the second act until the climax at the Battle of the Bands. All in all this is a nice PG evening rental even though this script was taylor made for Black leaving little room, except for Cuscak, for the children and other actors to display thier acting talents. If your a Jack Black fan this is one not to miss, his part is not as crudely written as in Orange County but his energy is pumping and he's on fire in almost every scene in the entire film! Recommended.

21 Grams

Truly astounding acting by Benicio Del Toro and Naomi Watts. They were so good I'm going to say it again...great acting. Sean Penn was outclassed in his performance by his co-stars; I found his character ragged and boring. The story in 21 Grams revolves around the three characters and an auto accident. It is interesting but the film's structure of jumping backwards to tell the story really pulled me out of this one. The disjointedness in the ordering of the scenes made watching the film a real chore. I think a film should be able to stand on its own without any use of fancy structure tricks, ala Pulp Fiction. I would have preferred a more conventional approach to the structure so I could really see the actors dynamically shine, moment to moment. How would you like it if I told a joke but started with the punchline first, then began the joke? Strong acting, complete but uninspiring story, and a shaken and stirred up narrative structure by Alejandro Gonzalez Inarritu keep this from being a really good film.

Napoleon Dynamite

There are some great characters in Napoleon Dynamite: Napoleon (Jon Heder), Pedro (Efren Ramirez), Uncle Rico (Jon Gries) & Kip (Aaron Ruell) are all quite ingenious. That's all fine and dandy but unfortunately there isn't much of a script either. To be honest, it wanders around like a three legged lama. It's got some funny moments but ultimately its a pretty thin and shallow story. As for the dvd's extra features? The deleted scenes are just throw away scenes and the commentary is quite dull. I give it 2 stars only because of the interesting characters portrayed by intriguing actors (especially Heder and the hilarious Ramirez).

Mulholland Falls

Nick Nolte does a solid turn as Lt. Hoover in this character piece about the four man "Hat Squad" of the L.A.P.D. during the 1940's. All the other actors are well cast and do a fine job as well. Ultimately the film's story is quite weak; the end conclusion not really mattering. Again, rock solid acting, really weak murder mystery plot. Oh, and Jennifer Connelly is a doll. Cheers!

The Motorcycle Diaries

A heartfelt film based on Ernesto "Che" Guevara's journal of travels across Argentina, Chile, Brazil and Peru with his friend Alberto Granado to do their medical residencies at a leper colony. More a character piece than your typical story driven drama; quite weak in the classic narative sense. Overall a very thoughtful buddy/road movie, full of human emotion. Great acting by the leads (Gael Garc�a Bernal, Rodrigo De la Serna) in interesting locales. Pretty good.

Garden State

This isn't a hollywood flick, nor does it try to be like one. The two main characters do a delightful job (Natalie Portman clearly outdoing Zach Braff) in creating a realistic and intriguing relationship. The other actors were spot on as well; I especially liked Ian Holm and the guy (Geoffrey Arend) in the hardware store. LOL. All in all this is a deep, touching film about a human being's road to finding emotion. A tight, solid film with comedic moments (Zach trying to swim), definitely check this one out.

The Station Agent

Be prepared: This isn't your classic hollywood structured piece, it flows like a great conversation between two old friends, endless and free. I thought this was going to be one of those boring stories about dark, conflicted characters boy was I wrong. Sure, they have there problems but it was amazing to watch these actors suck you into their quaint little "train" world. Peter Dinklage does a truly remarkable job as Finn, I could watch him making coffee for hours and still be intrigued. The others are quite fascinating as well, Bobby Cannavale plays the gregarious Joe and Patricia Clarkson the troubled Olivia. I have to say this is truly a gem of a film, one that envelopes you, leading you quietly and softly into a relaxed world where friendship begins. A true delight and highly recommended (4.5 stars).

The Last Samurai

The Last Samurai contains some truly astounding katana wielding action sequences (even by Tom Cruise!) sure to get your heart pumping. What leaves the heart rate flat is the lack of true depth written for and emoted by the characters (or could it just be Tom Cruise?). Due to this I am emotionally unenvovled in these characters lives, really not caring if they live of die. On top of that is the cookie cutter plot that has been thinly veiled over the fine sets and locations, the magnificent costumes and tremendous cinematography. All in all a nice action period piece but one that ultimately strives and fails, due to the lack of character development. Might be worth a rental.

Kill Bill: Vol. 1

"Everyone" said that Tarantino's new flick was way good. I have to say I wasn't overly impressed. Uma, as always, has the smokin' bod and the acting chops but unfortunately the simple and boring story of seeking revenge on Bill is well just plain, simple and boring. Camera tricks, massive blood spoutin' fights scenes, and solid actors can't save this flick from being just well, average. Why average? Because I've seen it all before in movies from HK (Hong Kong) already! Just because you bring Chinese action to the U.S. doesn't mean your "King Sh*t!", hell it doesnt even make you original. So as I digress rent it if your in need of some over the top action (not that I don't like Woo Ping, cause I do), otherwise I'd check out some more authentic and "real" HK action flicks such as: Swordsman II, Fist of Legend, Full Contact or Police Story anyday of the week -----not a mish mash of genres into a stew of wandering 'pulp'. Do I sound bitter? That's cause I am. Jackie Brown and now this. Why do you let me down like this Lord? Peace.

Hero

One of China's biggest budgeted films ever, Ying Xiong or Hero, is a visual masterpiece. Jet Li has gained stronger film presence with age, helped even more when surrounded by the talented supporting cast of Tony Leung (Hard Boiled), Maggie Cheung (Police Story, Supercop), Donnie Yen (Iron Monkey, Dragon Inn) and the lovely Ziyi Zhang (Rush Hour 2, CTHD). The cinematography by Christopher Doyle is EXCELLENT when coupled with Dun Tan's rousing score. Although this Chinese fable is not as complex in story and character as the highly touted Wo Hu Cang Long (2000) aka "Crouching Tiger, Hidden Dragon", it still delivers plenty of thrills and action. Sidenote: If you don't like "Wire-Fu" then this film might not suit your tastes. I prefer the harder "Kung-Fu" style of fighting myself. (Too much floating about takes me out of the film). Still, a very nice film indeed. Highly Recommended.

Gandhi

Gandhi is a simply stirring film crafted brilliantly by Richard Attenborough. And the gifted Ben Kingsley does an absolutely astounding job portraying the gentle Mohandas K. Gandhi using the poignant script written by John Briley. Although long at 188 minutes the film seems to float by with a cinematic grace matched only by Gandhi's spirit itself. Numerous awards were given to the film, some eight during the 1983's Oscars; most noteably for best actor, director, writer AND best film. This film is definitely one not to miss. Very Very Highly recommended (4.5 stars)!

America's Sweethearts

American Sweethearts has some good actors, I won't argue with that, but it also has a terribly bad script. It was barely romantic and wasn't very funny or even very enjoyable to watch. Such good actors; Cusack, Jones, Roberts, Azaria, Tucci and Arkin and why would they make this film? All I can come up with is that they all decided they wanted to work together. Either that or else they thought since Billy Crystal and Peter Tolan normally write pretty funny stuff that this also would be hilarious and not so arid and trite. Anyways, unless you want to watch Cusack or Zeta Jones (I still love her) fish for a paycheck, stay away.

Dark Blue World

All in all this is a meandering war/love story laced with great aerial photography of Spitfires ruling the skies. I wish the driector, Jan SverÃ¡k, would have spent more time on the wandering script and less on the Spitfires which cost $10,000 an hour to rent (Not that I didn't like the dogfighting/flying scenes, because I did a lot). Recommendation? Ehhh... it's a decent film I suppose. I would give it 2.5 stars for the story and character depth, 4 stars for the truly fun and *amazing* action aerial footage.

An American Werewolf in London

A solid little horror piece. Moves at a quick pace, fairly suspenseful with some added moments of unexpected humor. Acting is average by the lead David Naughton; all others are well cast and perform nicely including the beautiful, as always, Jenny Agutter of Logan's Run fame, Griffin Dunne & John Woodvine. Effects a little outdated ofcourse, but for that time period they're nicely done. Overall you can clearly see some excellent bits of true filmaking by John Landis. Also of note is some cool camera work by Robert Paynter during the chase sequences in the London Tube. A solid, semi-spooky horror film perfect for a late night with your snugglin' partner.

Enemy at the Gates

This is one badass film (excuse my french) by one badass director, Jean-Jacques Annaud. Not only does it have riveting action pieces it contains a story with a plot too! Nevertheless, Jude Law is wonderful as the famous Russian sniper Vassili Zaitsev. Also quite refreshing is the lovely Rachel Weisz, Vassili's love interest, and the villian sniper Maj. K�nig played intensely to a tee by the talented Ed Harris (Check out his directing debut of Pollock.) Favorite parts are as follows: The first action scene were Jude engages the Nazi's is absolutely brillant! The love scene between Law and Weisz is so intense its almost overpowering. And the showdowns between Law and Harris are spot one. This is one terrific, action packed, World War II period piece. Highly recommended!

Mickey Blue Eyes

With quality actors I would expect more from Mickey Blue Eyes, of course with a crappy script I guess it couldn't be helped. This movie is a comedic mess and drifted me to sleep more times then CSPAN television. I'm going to save both you and I some time by putting an end to this review right now: Mickey Blew. End of story.

Uncle Buck

Uncle Buck is still pretty damned funny after 15 years! This is probably one of John Hughes's last good films, his prime might be over but what a prime it was (Mr. Mom , Vacation, Sixteen Candles , The Breakfast Club, Weird Science, Ferris Bueller's Day Off)! As far as actors, John Candy has great chemistry with the entire cast while he plays the freaking funny as hell, over the top Uncle Buck Russell. An early Macaulay Culkin plays his nephew and virtually steals every scene that he's in. Other standouts include Jean Louisa Kelly & Gaby Hoffmann as Buck's nieces, Amy Madigan as the girlfriend, and the wacky neighbor Laurie Metcalf. This is a fairly tight script with no fat, one that moves well and has a laugh on every page. All in all this is a great family comedy, definitely worthy of a rental! Highly Recommended (4.5 stars).

An American Werewolf in Paris

I'm giving this film a 1 star rating only because light was exposed onto 35mm film and then it was developed. After just recently having watched the original American Werewolf in London, I can say that this remake is one of the biggest loads of crap I've ever seen. The script was pure drivel and to devote anymore time to it is utterly useless. Actually, I'm going to give it 2 stars. One star for Julie Delpy and one star for Julie Bowen. Every man has a vice, right? Wait, I can't do that because this movie sucked sooooo bad. 1 star cause I can't give it zero.

Virus

I was given the assignment of watching this flick during film school a good five years ago when it came out. The reason? First time director John Bruno was coming to visit with Gale Anne Hurd (both of James Cameron fame) for some Q & A. So you caught me, I didn't watch the film then but I did enjoy Mr. Bruno's comments about his first time directing. Although the script is heavy on action and extremely low on characterization courtesy of Chuck Pfarrer and Dennis Feldman, it moves along quite quickly. The effects were good although Bruno mentioned that he only had enough time and money to complete 70% of his vision and that the tiny flying robots didn't have wings because the studio wouldn't pony up the extra $15,000 needed for them. Personally I think the actors involved in the script are good (Donald Sutherland, Jamie Lee) but the script was so poor it didn't give them ANY room to display their talents. Sidenote: Before casting, Bruno was given a list of actresses seemed acceptable for the female lead by the studio. He saw that Jamie Lee Curtis was on the list whom he had previously worked with while doing special effects on True Lies. The studio had her on the list because she had proven box office results in foriegn countries. He called her up and asked her if she would like to be in an action film? She said that if she could be an action figure she would do it (She had never had one before). She got one and the rest is history. All in all Virus is an sub-average action/suspense flick with good effects, a nice effort by first time director Bruno, but ultimately a script that deems a trip to the doctor. (I've even read that Jamie Lee Curtis hated the film.)

Atlantis

If underwater footage of various aquatic animals accompanied by Eric Serra's tunes might seem interesting to you, then by all means check Atlantis out. If not, then I'd take a pass. All though the photograhy is good, it gets boring after a while even though Serra's music is solid, fluid and soulful (as always). I love Besson but this just gets a little too passe for my tastes.

Strange Brew

Okay, you might be saying how can I give an old 80's film 5 stars? Well, first off the film is "loosely" based on Shakespeare's Hamlet. Second, after all these years its still freakin' hilarious!. I mean how can you not like two knobs who try to get free beer by putting a mouse in a bottle? Rick Moranis and Dave Thomas play the idiotic "hosers", Bob and Doug McKenzie, who spout classic one liners like no tomorrow. Don't miss this one you hoser, it's a beauty, eh? (4.5 stars).

Das Boot

Wolfgang Petersen's film Das Boot is one of the best submarine films out there. It has great tension and atmosphere throughout along with outstanding actors such as the internationally known Jürgen Prochnow. This is a hell of a underwater ride, don't miss the boat...er sub (4.75 stars).

Coupling: Season 1

As with most TV shows, first seasons tend to be hit and miss. With Coupling's first six wacky, over the top episodes it's the same. The first episode "Flushed", which introduces all the great characters, doesn't get good untill the very end. But, all things considered, episode #2 "Size Matters", #3 "Sex, Death and Nudity" and #6 "The Cupboard of Patrick's Love" are pretty damn hilarious! Episodes #4 and #5 are just so-so. The following seasons, 2 and 3 are absolutely brillant, but this is still a good place to start. This UK comedy is sexy, completely ludicrous fun (3.75 stars).

Navy Seals: BUDs Class 234

I saw this documentary a while back on on Discovery and was quite impressed. Gives you a great overview of what the SEAL operators go through IN EACH training cycle (watch the later discs for this), not just during Hell Week. Highly recommended if your into SpecOps documentaries (3.75 stars).